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PAINTING AND A NUMBER OF PAINTINGS ON “THE DIABOLICAL DIFFERENCE”: YU. M. LOTMAN ABOUT FINE ART
17-26
THE ROLE OF EXPRESSIVE AND EMOTIONAL VOCABULARY IN CREATING THE IMAGE OF THE AUTHOR (BASED ON THE WORKS OF D. ISABEKOVA AND SH. AITMATOV)
29-43
MISUNDERSTANDINGS AND REPETITIONS AS THE WAYS OF ACHIEVING COMIC EFFECT IN CHARLES DICKENS’ NOVEL “OUR MUTUAL FRIEND”
16-23
ABOUT THE CREATION OF EDUCATIONAL PROGRAMS OF THE APPLIED BACHELOR IN THE REPUBLIC OF KAZAKHSTAN
37-50
CRITERION-BASED ASSESSMENT OF STUDENTS ' ACADEMIC ACHIEVEMENTS IN THE CONTEXT OF THE UPDATED CONTENT OF EDUCATION
39-56
MARKING DEPRIVATION AS A SOCIAL PHENOMENON IN DISCOURSE ECONOMIC PRACTICES OF THE LANGUAGE OF NEWSPAPERS OF THE KAZAKHSTAN
5-11
RESEARCH SKILLS DEVELOPMENT OF FUTURE FOREIGN LANGUAGE TEACHERS THROUGH PROJECT-BASED LEARNING
94-100
RETROSPECTIVE ANALYSIS OF DIDACTIC PRINCIPLES AND METHODS OF TEACHING A FOREIGN LANGUAGE
374-379
APPLICATION OF INNOVATIVE TEACHING TECHNOLOGIES IN FORMING COGNITIVE ACTIVITY OF STUDENTS
360-365
NEW READING OF THE PLAY “ABAY” (on the example of the state academic Kazakh music and drama theater named after K.Kuanyshbayev)
200-205
TONY MORRISON AND ALICE WALKER’S LINGUISTIC IDENTITY AND SEMANTIC TRIGGERS (IN THE CONTEXT OF AFRICAN-AMERICAN IDENTITY)
130-134