Fikret Turkmen, Abisheva S. D
MYTHOLOGICAL CODES IN THE POETRY OF M. MAKATAEV
18-29
Gulnara Suyunova
РRACTICE ORIENTATION AS THE BASIC PRINCIPLE OF PEDAGOGICAL ENGINEERING (USING THE EXAMPLE OF DEVELOPING WORKBOOKS FOR RUSSIAN LANGUAGE LESSONS)
96-110
Aliya Kuralbaeva, Zarina Omirtay
THE IMPORTANCE OF USING READING STRATEGIES IN WORKING WITH TEXT FOR 4TH GRADE STUDENTS
66-74
Gafura Sat
STAGE LANGUAGE CLARITY OF ART MASTERS
38-46
I. Belobrovtseva
PAINTING AND A NUMBER OF PAINTINGS ON “THE DIABOLICAL DIFFERENCE”: YU. M. LOTMAN ABOUT FINE ART
17-26
Ts. Tsui
LINGUISTIC FEATURES OF RUSSIAN FOLK TALES
44-51
Zh. Seisenbayeva
THE ROLE OF ARTISTIC MEANS AND METHODS IN BAKKOZHA MUKAI'S NOVEL "UMIRZAYA"
302-306
S. Nurgali
FEATURES OF ELOQUENCE
139-143
Zh. Kenzhebayeva, M. Koishibayeva
TRAGEDY OF A TALENT
408-414
S. Yerzhanova, A. Zhutayeva
APOLITICAL APPROACH AND AESTHETIC EFFECT IN CONTEMPORARY KAZAKH PROSE
393-399
B. Zhumakayeva
HISTORICAL PRINCIPLE OF COGNITION ABAYA'S CREATIVITY
337-341
